What’s where

 The words below have links to the various daily prayer offices by days of the week, times of the year and some night-time forms. There is also a guide to how to interpret the type styles.  There is some reflection, too, on why and how to use these forms.

Days of the week

Everyday prayer       Sundays       Mondays       Tuesdays       Wednesdays       Thursdays       Fridays       Saturdays     Everyday prayer 2

For occasions and seasons.

Advent       Christmas       Epiphany   Presentation of Christ aka Candlemas  Lent       Passiontide, Holy Week       Eastertide       Ascensiontide       Pentecost season    ‘Thy Kingdom Come‘   Magnificat days and seasons       Transfiguration       Creationtide       Kingdom Season       Dark Seasons

Prayers before sleep at night

Night prayer 1       Night prayer 2       Night prayer 3       Night prayer 4       Night Prayer 5

Other materials

Some Collect prayers    Lord’s Prayer framework for reflection    Whys and wherefores   Principles and guidelines  Church of England canons Canticles

Conventions for type-styles used

Italics are used for things that are not meant to be said out loud but rather are to help use the time and the prayers or to indicate where something has come from.
Bold is used when words are meant to be said together.
Emboldened italics tend to indicate a title of a canticle or similar.
Ordinary type is for things that the person who is leading at that point says on their own.
Three little dots like this … are shorthand to suggest a time of quiet or reflection. Normally the person leading at that point would be responsible for moving on to the next part after a suitable period of time.

Copyright etc

Except where otherwise stated these orders of prayer and the materials which are originated by me, are made available under a Creative Commons License:

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Attribution-Noncommercial-NoDerivs 2.5   This means the following:

  • Attribution. You must give the original author credit.
  • Noncommercial. You may not use this work for commercial purposes.
  • No Derivative Works. You may not alter, transform, or build upon this work. The latter may be waived by negotiation.

Of course, as you may see, some of the materials have originated elsewhere. I have acknowledged these and I believe the usage to be fair use and/or explicitly licensed by the originator. If you further make use of their materials, you should make appropriate acknowledgement.

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